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Pitchfork
Dan Snaith spent the first decade of his career attacking a wide range of genres with the intensity of an autodidact and the cerebral coolness of an academic. Back when he was still recording as Manitoba without fear of legal challenges from disgruntled punk veterans, he dissembled the IDM of the late 1990s and early ‘00s on debut Start Breaking My Heart before moving on to kaleidoscopic, colorful psychedelia on Up in Flames. From there, it was on to chugging krautrock and rich, melancholy ‘60s pop on The Milk of Human Kindnessand Andorra, respectively; the 2010 LP Swim, cobbled together from leftover DJ set material and inspired by the sounds of deep house and contemporary club music, grew his fan base further. Despite the huge breadth of sounds they explore, these albums all share an essential playfulness and engrossing curiosity.Read full review
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