Biopic of Gilbert and Sullivan Predominantly Focusing Upon 'The Mikado'
Given the enduring and well-deserved interest in the Gilbert and Sullivan operas, it is perhaps surprising that there have not been more films dedicated to relating the story of the collaboration between these two very different characters, for it is a story full of genuine human interest. Personality clashes and conflicting ambitions are pitted against the greatest mutual professional respect and in reality, a deep, but all-too-often hidden, personal affection that was so well hidden it took tragedy to allow it fully to surface,
The film was conceived, directed and produced by Mike Leigh in 1999. Jim Broadbent is utterly convincing as the taciturn, acid-tongued - yet hugely intelligent, erudite and witty playwright and martinet (at least as far as his plays are concerned) - William Schwenk Gilbert, and Allan Corduner as the affable, kindly and lovable quasi-libertine, Arthur Seymour Sullivan . Corduner is himself a pianist and musician of no mean ability and his portrayal of Sullivan is eerily accurate, self-evidently due in no small measure to his innate understanding of the mysteries of music. Witnessing his piano-accompanying skills, conducting and rehearsal techniques (accurate even even down to the style of baton he clutches in his right hand) is to feel and see the spirit and mannerisms of Sullivan himself. Both lead actors give truly masterly and memorable performances.
The main story line concerns the rift that had been developing between Gilbert and Sullivan (born largely out of their differing ambitions) and how, during a Japanese cultural exhibition which was being staged in London, a domestic incident provided Gilbert with the unlikely, but wholly fortuitous, inspiration for an entirely new 'Japanese' opera and Sullivan's subsequent enthusiastic agreement to compose the score for this unusual and exotic subject. We soon discover Gilbert's absolute insistence on authenticity in dress, mannerisms and precise adherence to his standards and directions. Discipline was the watchword, and woe betide the cast member - however well-known and loved by the public - who was foolish enough to add his own interpretations or 'improvements' to Gilbert's finely-honed scripts.
Sullivan, although firmly insistent that his music be performed by musicians of the first order and performing at the highest level, nevertheless achieved his objectives much more by kindness, good humour, charm, and gentle wit. Using the 'good cop/bad cop' analogy Sullivan was the 'good cop' to Gilbert's 'bad cop', although in reality this is a very simplistic and unfair characterisation of a very complex personality. Time and again those who knew Gilbert the best unhesitatingly attested to his genuine generosity, care and underlying kindness - except, of course, where his work was concerned when he knew what he wanted and, by thunder, was going to get it! And he did!
The film treats us to some lovely performances taken from several of the operas; not just 'The Mikado'. On a slightly darker side, the portrayal of the less savoury attributes of some of the leading cast members of the day are not glossed over, but do remind us of the social problems that blighted Victorian London society. Drugs are hardly a purely modern scourge!
This production fulfils three (and a half!) distinct roles. Firstly it is predominantly a lavish musical entertainment; secondly it has been sufficiently well researched and casted to enable it to be considered at least semi-educational, thirdly it is an excellent introduction to the enjoyment of these timeless masterworks, and 'three and a halfly', because this point leads directly on from the previous, it is a film that I dare to hope may whet the appetite of many to explore further these operas which have delighted audiences of all ages for upwards of 130 years - and which look set to continue to do so for many years to come wherever the English language and culture are truly valued and appreciated.
My advice is to buy this wonderful DVD, sit back and enjoy a feast of gloriously happy, toe-tapping music married to those hilariously bizarre plots which gave rise to the eponymous title of this film: 'Topsy-Turvy'.
Verified purchase: YesCondition: Pre-owned