Publication NameProduct Placement in Hollywood Films : a History
Publication Year2004
SubjectFilm / General, General, Advertising & Promotion
TypeTextbook
Subject AreaPerforming Arts, Business & Economics, History
AuthorKerry Segrave
FormatTrade Paperback
Dimensions
Item Height0.5 in
Item Weight12.5 Oz
Item Length9 in
Item Width6 in
Additional Product Features
Intended AudienceScholarly & Professional
LCCN2004-008626
Dewey Edition22
Number of Volumes1 vol.
IllustratedYes
Dewey Decimal659.1
Table Of ContentTable of Contents Preface 1. Motion Pictures as Business Boosters: The Silent Era to 1926 2 . The Talkies Arrive, Commercially Speaking: 1927-1932 3. War on Free Shows, Stars Sell Cars, Business Finds Its Voice: 1933-1944 4. Everything Follows the Film: 1945-1949 5. Television Ads Condition Filmgoers to Accept Commericals: The 1950s 6. Ad Trailers Make a Big Push: 1960-1981 7. Ad Trailers in the Modern Era: 1982-2003 8. Hollywood the Ad--Product Placement in the Modern Era: 1982-2003 9. Conclusion Notes Bibliography Index
SynopsisThis is the history of advertising in motion pictures from the slide ads of the 1890s to the common practice of product placement in the present. This work addresses such topics as television's conditioning of filmgoers to accept commercials, companies' donation of props, the debate about smoking and drinking in , and ""product displacement""., This is the history of advertising in motion pictures from the slide ads of the 1890s to the common practice of product placement in the present. Initially, product placement was seen as a somewhat sleazy practice and also faced opposition from the film industry itself; it has grown dramatically in the past 25 years. From Maillard's Chocolates advertising with a shot of Cardinal Richelieu enjoying a hot cup of cocoa in 1895, to product placements in 2002's Minority Report, for which advertisers were rumored to have paid $25 million, this book explores the developing union of corporate America and Hollywood. This work addresses such topics as television's conditioning of filmgoers to accept commercials, companies' donation of props, the debate about advertising such activities as smoking and drinking in films, and "product displacement," or demands by companies to keep their products absent from unpopular or controversial films. Film stills and a bibliography complete the book.