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Julian Cope - My Nation Underground - 180gm Vinyl [New Vinyl LP] 180 Gram, UK - - Picture 1 of 1

My Nation Underground-180gm Vinyl by Cope, Julian (Record, 2024)

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Price:

US $35.02

Approximately£26.27

+ $4.79 postage

Estimated delivery Tue, 6 May - Mon, 12 May

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Condition:

New

Limited 180gm vinyl LP pressing. Instead, Cope changed his band line-up and attempted to mix funk and Krautrock on his new material; Chris Blackwell paired him with veteran US producer Ron Fair. The album produced three singles including "Charlotte Anne" which was a minor hit in the US.

About this product

Product Identifiers

Record LabelPpek, Proper Records UK

UPC0805520240895

eBay Product ID (ePID)14071180589

Product Key Features

Release Year2024

FormatRecord

GenreRock

ArtistCope, Julian

Release TitleMy Nation Underground-180gm Vinyl

Dimensions

Item Weight0.50 lb

Additional Product Features

Number of Tracks9

Tracks1.1 5 O'Clock World 1.2 Vegetation 1.3 Charlotte Anne 1.4 My Nation Underground 1.5 China Doll 1.6 Someone Like Me 1.7 Easter Everywhere 1.8 I'm Not Losing Sleep 1.9 The Great White Hoax

Number of Discs1

NotesMy Nation Underground is an album ripe for rediscovery - This re-issue faithfully replicates the original 1988 Mercury Records UK release and is pressed onto high quality 180gm vinyl. Saint Julian had established Julian Cope as something of an establishment anti-hero and audiences, who'd been reacquainted with him were expecting more of the same. Instead, Cope changed his band line-up and attempted to mix funk and Krautrock on his new material; Chris Blackwell paired him with veteran US producer Ron Fair. The album produced three singles including "Charlotte Anne" which was a minor hit in the US. Album opener, "5 O'Clock World", a cover of a 1965 Vogues song, is light and poppy and the seven-minute title track, complete with strings and a harmonica solo, is one of the greatest (and perhaps only) attempts to merge go-go beats with post punk. There is a great deal to enjoy on My Nation Underground, underlining as it does Julian Cope's desire to continually push the envelope