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Clint Eastwood: Interviews (Conversat... by Eastwood, Clint Paperback / softback
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Condition:
Very Good
A book that has been read and does not look new, but is in excellent condition. No obvious damage to the book cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. Some identifying marks on the inside cover, but this is minimal. Very little wear and tear. See the seller’s listing for full details and description of any imperfections.
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Item specifics
- Condition
- ISBN
- 1578060702
- EAN
- 9781578060702
- Date of Publication
- 1999-05-30
- Release Title
- Clint Eastwood: Interviews (Conversations with Filmmakers Series)
- Artist
- Eastwood, Clint
- Brand
- N/A
- Colour
- N/A
- Book Title
- Clint Eastwood: Interviews (Conversations with Filmmakers Series)
About this product
Product Identifiers
Publisher
University Press of Mississippi
ISBN-10
1578060702
ISBN-13
9781578060702
eBay Product ID (ePID)
833001
Product Key Features
Number of Pages
278 Pages
Language
English
Publication Name
Clint Eastwood : Interviews
Subject
Entertainment & Performing Arts, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts)
Publication Year
1999
Type
Textbook
Subject Area
Performing Arts, Biography & Autobiography
Series
Conversations with Filmmakers Ser.
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
11.7 Oz
Item Length
9 in
Item Width
5.9 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
98-043474
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.4302/8092 B
Synopsis
"I began to direct my own films in 1970. At that time the only means I had to be able to direct was to act in the films . . . . It was a practical question at the time. Afterwards, I grew to like it." As a star, Clint Eastwood is recalled primarily for two early roles--the "Man With No Name" of three European-made Westerns and "Dirty" Harry Callahan, the uncompromising cop who spoke softly and carried a big gun in five movies. But like few other stars, Eastwood has shaped his own career by appearing almost exclusively in films he produced or co-produced, frequently under his own direction. No other contemporary dramatic star has directed himself so often. His acclaim as a director began in the late '70s and reached a peak with the 1992 release of his Oscar-winning Unforgiven. Eastwood has steered a remarkable course as an independent filmmaker. He is a film industry insider who works through the established Hollywood system, yet he remains an outsider by steadfastly refusing to heed cultural and aesthetic trends in film production and film style. Films he has directed have examined artists' lives (Honkytonk Man, 1982; Bird, 1988; White Hunter, Black Heart, 1990) and called into question his own star image (The Gauntlet, 1977; Bronco Billy, 1980; Unforgiven, 1992) while remaining accessible to a popular audience. The interviews collected here range over the nearly three decades of Eastwood's directorial career. Their emphasis is on practical filmmaking issues and on his philosophy of filmmaking. Nearly half are from British and European sources. The latter, appearing in English for the first time, show how Europeans were praising him as a director while many American critics had not yet acknowledged him as an actor of merit. Robert E. Kapsis, author of Hitchcock: The Making of a Reputation, is a professor of sociology and film studies at Queens College, CUNY. Since 1995 he has been executive producer of American Film Masters. Kathie Coblentz is a special collections cataloger at The New York Public Library. She also works on the American Film Masters series., As a star, Clint Eastwood is recalled primarily for two early roles--the ""Man With No Name"" of three European-made Westerns and ""Dirty"" Harry Callahan, the uncompromising cop who spoke softly and carried a big gun in five movies. But like few other stars, Eastwood has shaped his own career by appearing almost exclusively in films he produced or co-produced, frequently under his own direction. No other contemporary dramatic star has directed himself so often. His acclaim as a director began in the late '70s and reached a peak with the 1992 release of his Oscar-winning Unforgiven. Eastwood has steered a remarkable course as an independent filmmaker. He is a film industry insider who works through the established Hollywood system, yet he remains an outsider by steadfastly refusing to heed cultural and aesthetic trends in film production and film style. Films he has directed have examined artists' lives (Honkytonk Man, 1982; Bird, 1988; White Hunter, Black Heart, 1990) and called into question his own star image (The Gauntlet, 1977; Bronco Billy, 1980; Unforgiven, 1992) while remaining accessible to a popular audience. The interviews collected here range over the nearly three decades of Eastwood's directorial career. Their emphasis is on practical filmmaking issues and on his philosophy of filmmaking. Nearly half are from British and European sources. The latter, appearing in English for the first time, show how Europeans were praising him as a director while many American critics had not yet acknowledged him as an actor of merit. Robert E. Kapsis, author of Hitchcock: The Making of a Reputation, is a professor of sociology and film studies at Queens College, CUNY. Since 1995 he has been executive producer of American Film Masters. Kathie Coblentz is a special collections cataloger at The New York Public Library. She also works on the American Film Masters series., As a star, Clint Eastwood is recalled primarily for two early roles--the "Man With No Name" of three European-made Westerns and "Dirty" Harry Callahan, the uncompromising cop who spoke softly and carried a big gun in five movies. But like few other stars, Eastwood has shaped his own career by appearing almost exclusively in films he produced or co-produced, frequently under his own direction. No other contemporary dramatic star has directed himself so often. His acclaim as a director began in the late '70s and reached a peak with the 1992 release of his Oscar-winning Unforgiven. Eastwood has steered a remarkable course as an independent filmmaker. He is a film industry insider who works through the established Hollywood system, yet he remains an outsider by steadfastly refusing to heed cultural and aesthetic trends in film production and film style. Films he has directed have examined artists' lives (Honkytonk Man, 1982; Bird, 1988; White Hunter, Black Heart, 1990) and called into question his own star image (The Gauntlet, 1977; Bronco Billy, 1980; Unforgiven, 1992) while remaining accessible to a popular audience. The interviews collected here range over the nearly three decades of Eastwood's directorial career. Their emphasis is on practical filmmaking issues and on his philosophy of filmmaking. Nearly half are from British and European sources. The latter, appearing in English for the first time, show how Europeans were praising him as a director while many American critics had not yet acknowledged him as an actor of merit. Robert E. Kapsis, author of Hitchcock: The Making of a Reputation, is a professor of sociology and film studies at Queens College, CUNY. Since 1995 he has been executive producer of American Film Masters. Kathie Coblentz is a special collections cataloger at The New York Public Library. She also works on the American Film Masters series., As a star, Clint Eastwood is recalled primarily for two early roles--the "Man With No Name" of three European-made Westerns and "Dirty" Harry Callahan, the uncompromising cop who spoke softly and carried a big gun in five movies. But like few other stars, Eastwood has shaped his own career by appearing almost exclusively in films he produced or co-produced, frequently under his own direction. No other contemporary dramatic star has directed himself so often. His acclaim as a director began in the late '70s and reached a peak with the 1992 release of his Oscar-winning Unforgiven . Eastwood has steered a remarkable course as an independent filmmaker. He is a film industry insider who works through the established Hollywood system, yet he remains an outsider by steadfastly refusing to heed cultural and aesthetic trends in film production and film style. Films he has directed have examined artists' lives ( Honkytonk Man , 1982; Bird , 1988; White Hunter, Black Heart , 1990) and called into question his own star image ( The Gauntlet , 1977; Bronco Billy , 1980; Unforgiven , 1992) while remaining accessible to a popular audience. The interviews collected here range over the nearly three decades of Eastwood's directorial career. Their emphasis is on practical filmmaking issues and on his philosophy of filmmaking. Nearly half are from British and European sources. The latter, appearing in English for the first time, show how Europeans were praising him as a director while many American critics had not yet acknowledged him as an actor of merit. Robert E. Kapsis, author of Hitchcock: The Making of a Reputation , is a professor of sociology and film studies at Queens College, CUNY. Since 1995 he has been executive producer of American Film Masters . Kathie Coblentz is a special collections cataloger at The New York Public Library. She also works on the American Film Masters series., The interviews collected here range over the nearly three decades of Clint Eastwood's directorial career. Their emphasis is on practical filmmaking issues and on his philosophy of filmmaking. Nearly half are from British and European sources.
LC Classification Number
PN2287.E37A5 1999
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- o***d (273)- Feedback left by buyer.Past monthVerified purchase4.1.2025 - Item arrived quickly and was exactly as described. Packaging was secure and professional, and the item was in perfect condition—looks even better in person! Great quality, excellent value for the price, and the seller was prompt and communicative throughout the process. Very satisfied and would absolutely buy from this seller again. Highly recommended!
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Seller Feedback (1,533,362)
- o***d (273)- Feedback left by buyer.Past monthVerified purchase4.1.2025 - Item arrived quickly and was exactly as described. Packaging was secure and professional, and the item was in perfect condition—looks even better in person! Great quality, excellent value for the price, and the seller was prompt and communicative throughout the process. Very satisfied and would absolutely buy from this seller again. Highly recommended!
- e***1 (1296)- Feedback left by buyer.Past 6 monthsVerified purchaseThis was an excellent transaction. Great condition. As described, in good condition, very good quality and appearance, and was safely packaged and quickly shipped. The costs were reasonable, and the communication was timely. I am very happy with my purchase. Thanks so much.
- c***m (382)- Feedback left by buyer.Past 6 monthsVerified purchaseAAA+++; Excellent Service; Great Pricing; Fast Delivery-Faster Than Expected to Hawaii; using free shipping; USPS Ground Mail, Book in Excellent Condition--Better Than Described ; TLC Packaging; Excellent Seller Communication, Sends updates . Highly Recommended!, Thank you very much!Elon Musk: The Founder of Tesla, Paypal, ... by Connors, K. Paperback / softback (#305692808987)