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When Trash Becomes Art: Trash Rubbish Mongo by Lea Vergine: New
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Approximately£33.92
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New
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Located in: Sparks, Nevada, United States
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eBay item number:363854186131
Item specifics
- Condition
- Publication Date
- 2007-06-05
- Pages
- 176
- ISBN
- 9788876247286
About this product
Product Identifiers
Publisher
Skira Editore
ISBN-10
8876247289
ISBN-13
9788876247286
eBay Product ID (ePID)
54344744
Product Key Features
Book Title
When Trash Becomes Art : Trash Rubbish Mongo
Number of Pages
180 Pages
Language
English
Topic
History / Contemporary (1945-), General
Publication Year
2007
Illustrator
Yes
Genre
Art
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
18.4 Oz
Item Length
8.3 in
Item Width
6.2 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
22
Dewey Decimal
709.04
Synopsis
Trash as material in art, from Kurt Schwitters to Louise Bourgeois When Trash Becomes Art examines the work of artists who use garbage as their artistic medium, creating art that mirrors our alienation and consumerism. Author Lea Vergine suggests trash is a natural medium: "It has been said that trash represents risk and fascination, impending disaster and seduction. Now and then it is the mark of a creativity as menacing as it is ambiguous-garbage cannot be foreseen and therefore cannot be eluded." In fact, trash and found objects can be seen in works from the early part of the twentieth-century by Fortunato Depero, Kurt Schwitters, and others, as well as through current works by Christian Boltanski, Cindy Sherman, Louise Bourgeois, and Andreas Serrano.Vergine's view is not limited to figurative art; she also explores the use of trash in other expressive modes such as architecture, cinema, dance, music, and theatre, thus providing a multifaceted interpretation of the artistic use of the very things cast off and abandoned by society., Trash as material in art, from Kurt Schwitters to Louise Bourgeois When Trash Becomes Art examines the work of artists who use garbage as their artistic medium, creating art that mirrors our alienation and consumerism. Author Lea Vergine suggests trash is a natural medium: It has been said that trash represents risk and fascination, impending disaster and seduction. Now and then it is the mark of a creativity as menacing as it is ambiguous-garbage cannot be foreseen and therefore cannot be eluded. In fact, trash and found objects can be seen in works from the early part of the twentieth-century by Fortunato Depero, Kurt Schwitters, and others, as well as through current works by Christian Boltanski, Cindy Sherman, Louise Bourgeois, and Andreas Serrano.Vergine's view is not limited to figurative art; she also explores the use of trash in other expressive modes such as architecture, cinema, dance, music, and theatre, thus providing a multifaceted interpretation of the artistic use of the very things cast off and abandoned by society., Trash Rubbish Mongo examines the work of artists who use garbage as their artistic medium, creating art that mirrors our alienation and consumerism. Author Lea Vergine suggests trash is a natural medium: "It has been said that trash represents risk and fascination, impending disaster and seduction. Now and then it is the mark of a creativity as menacing as it is ambiguous-garbage cannot be foreseen and therefore cannot be eluded." In fact, trash and found objects can be seen in works from the early part of the twentieth-century by Fortunato Depero, Kurt Schwitters, and others, as well as through current works by Christian Boltanski, Cindy Sherman, Louise Bourgeois, and Andreas Serrano.Vergine's view is not limited to figurative art; she also explores the use of trash in other expressive modes such as architecture, cinema, dance, music, and theatre, thus providing a multifaceted interpretation of the artistic use of the very things cast off and abandoned by society., The result of painstaking research by Lea Vergine, this volume explores the meaning of the "trash" phenomenon in contemporary art from the early 20th century (Boccioni, Carrà, Depero, Picabia, Schwitters), through the Sixties and Seventies (Burri, Kounellis, Fontana, Vautier, Rotella, César, Arman, Manzoni, Pistoletto, Beuys, Spoerri), and up to the present (Cragg, Parmiggiani, Boltanski, Sherman, Bourgeois, Serrano, Cattelan). It examines the challenge launched by these artists, who use waste as a material for creating art. In an era marked by great concern about the environment, the artistic use of the discarded object expresses the alienation and distress that appear to be eroding the wantonly consumeristic social model represented by the West. Recovering and preserving refuse is a means of trying to hold on to it, of making it survive by saving it from a void, from being nothing, from the dissolution to which it is destined; it is about the desire to leave a mark, a trace, a clue for those who remain, hence touching a dimension that is psychological as well as political.
LC Classification Number
N6494.T73
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