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Michael Light: Lake Las Vegas/Black Mountain, Lippard, Lucy R.,Solnit, Rebecca,

US $28.64
Approximately£21.49
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Condition:
Good
Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the ... Read moreAbout condition
Breathe easy. Returns accepted.
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Located in: Harrisburg, Pennsylvania, United States
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eBay item number:355874592349
Last updated on 01 May, 2025 15:25:04 BSTView all revisionsView all revisions

Item specifics

Condition
Good
A book that has been read, but is in good condition. Minimal damage to the book cover eg. scuff marks, but no holes or tears. If this is a hard cover, the dust jacket may be missing. Binding has minimal wear. The majority of pages are undamaged with some creasing or tearing, and pencil underlining of text, but this is minimal. No highlighting of text, no writing in the margins, and no missing pages. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller notes
“Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the ...
ISBN
9781934435854

About this product

Product Identifiers

Publisher
Radius Books
ISBN-10
1934435856
ISBN-13
9781934435854
eBay Product ID (ePID)
201581299

Product Key Features

Book Title
Michael Light: Lake Las Vegas/Black Mountain
Number of Pages
70 Pages
Language
English
Topic
Individual Photographers / Monographs, General, Subjects & Themes / Landscapes
Publication Year
2015
Illustrator
Yes
Genre
Photography
Author
Rebecca Solnit
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
64.9 Oz
Item Length
16.4 in
Item Width
10.6 in

Additional Product Features

Intended Audience
Trade
LCCN
2021-278531
Reviews
A harrowing overview of Nevada's post-recession real estate slump, Michael Light photographs half-finished luxury developments and the landscapes that were reshaped to accommodate them., Light's photography doesn't so much question the developers' summary as it does, say, blast it, scar it, terrace it and then build a large housing development on the remains. Featuring beautifully composed aerial shots of the construction sites and golf courses covering the desert, the book is a clear condemnation of the destructive and unsustainable development in Nevada. Much more than that, though, Light is highlighting a wider philosophy behind developments like Ascaya and Lake Las Vegas that fundamentally fail to connect American society with the American landscape in a non-destructive way., As in his other work, Light photographed the communities aerially, shooting out of a helicopter and, occasionally, a fixed-wing plane. He worked during the morning and late afternoon, when the light provided "maximum three-dimensionality." And, for the first time, he shot extensively in color, capturing a dizzying palette of golf-course greens and swimming-pool blues to highlight the artificiality of the manufactured landscape. That overhead perspective allowed him to capture the way in which the developments, "practically airlifted" into the environment, stuck out from their surroundings. It also afforded him a view of places that would be off-limits from the ground. "They're guarded and gated and available only to property owners and their specified guests. That's one aspect of my aerial practice that I enjoy, which is to say that I can leap over the proverbial hedgerow and tell the story I want to tell," he said., Lake Las Vegas, the subject of Michael Light's aerial photographs in Lake Las Vegas/Black Mountain, is such an explicitly European fantasy that a replica of Florence's famous Ponte Vecchio bridge crosses a stretch of its artificial lake, and the houses are mostly in the stucco-and-tile-roof mode called "Mediterranean." From near the earth you see into yards and houses, terra cotta roofs, pieces fitting together like a puzzle, tight to each other, despite the expanse all around, or you see the texture of the earth that has been groomed and scraped and graded into something you can drop a mansion onto. From a little ways higher, you see the layout of the streets, like a fingerprint pressed into the landscape, the whorls and cul-de-sacs of the curvilinear layouts beloved of developers., Light's aerial images of the terrain surrounding Las Vegas are both gorgeous and disturbing, showing the suburban sprawl from such heights that it looks like abstract art but reveals man-made havoc.
Synopsis
Until 2008 Nevada was the fastest-growing state in America. But the recession stopped this urbanizing gallop in the Mojave Desert, and Las Vegas froze at exactly the point where its aspirational excesses were most baroque and unfettered. In this third Radius Books installment of noted photographer Michael Light's aerial survey of the inhabited West, the photographer eschews the glare of the Strip to hover intimately over the topography of America's most fevered residential dream: castles on the cheap, some half-built, some foreclosed, some hanging on surrounded by golf courses gone bankruptcy brown, some still waiting to spring from empty cul-de-sacs. Throughout, Light characteristically finds beauty and empathy amidst a visual vertigo of speculation, overreach, environmental delusion and ultimate geological grace. Janus-faced in design, one side of the book plumbs the surrealities of "Lake Las Vegas," a lifestyle resort comprised of 21 Mediterranean-themed communities built around a former sewage swamp. The other side of the book dissects nearby Black Mountain and the city's most exclusive-and empty -future community where a quarter billion dollars was spent on moving earth that has lain dormant for the past six years. Following the boom and bust history of the West itself, Light's photographs terrifyingly and poignantly show the extraction and habitation industries as two sides of the same coin. Essays by two of the world's most celebrated cultural and landscape thinkers, Rebecca Solnit and Lucy Lippard, offer resonant counterpoint.
LC Classification Number
TR655.L553 2014
Text by
Lippard, Lucy R., Solnit, Rebecca

Item description from the seller

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Midtown Scholar Bookstore

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    Made offer and received quick counteroffer from Catherine. We established a fair price and book was nicely packed and sent on its way. Was as described. Like all previous purchases from Midtown Scholar Bookstore, this was a pleasant experience. I highly recommend doing business with this firm! (Have lost count how many books I have purchased from this firm, but my opinion is based on numerous buys.)
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    Book arrived quickly from seller. Item was in condition as described by seller. Packaged so book was protected. Great value for money. Delighted with purchase. Would buy from seller again.