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WILLIAM CHRISTENBERRY: Kodachromes. Hardcover *BRAND NEW* in shrink wrap
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- Buy it nowWILLIAM CHRISTENBERRY: Kodachromes. Hardcover *BRAND NEW* in shrink wrap
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Item specifics
- Condition
- Type
- Hardcover
- Publication Name
- Aperture
- ISBN-10
- 1597111473
- ISBN
- 9781597111478
About this product
Product Identifiers
Publisher
Aperture Foundation, Incorporated
ISBN-10
1597111473
ISBN-13
9781597111478
eBay Product ID (ePID)
103063465
Product Key Features
Book Title
William Christenberry: Kodachromes
Number of Pages
176 Pages
Language
English
Topic
United States / South / East South Central (Al, Ky, ms, Tn), General, Individual Photographers / Artists' Books
Publication Year
2010
Illustrator
Yes
Genre
Travel, Photography
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
0 Oz
Item Length
9.8 in
Item Width
11.9 in
Additional Product Features
Intended Audience
Trade
LCCN
2010-905267
Dewey Edition
22
Dewey Decimal
779.9976143063
Synopsis
Although best known for his large-format color photographs made with vintage Kodak Brownie cameras, William Christenberry has also consistently produced work with 35 mm Kodachrome slide film since he took up photography. William Christenberry: Kodachromes is the first publication to showcase this stunning and previously unknown body of work, spanning from 1964 to 2007, of which only a small number of images have ever been published or exhibited. As in all of Christenberry's photographs, the subject matter is the rural Deep South: the twisting back roads, open landscapes, rusted signage and ramshackle vernacular architecture found in Hale County, Alabama. Though many of the sites pictured in this rare collection are new, other subjects have grown iconic in Christenberry's oeuvre as he has returned to photograph them over the decades--the red building in the forest, Sprott Church, the Palmist Sign and the Bar-B-Q Inn, among others. The photographs in William Christenberry: Kodachromes were made with a camera that allowed for greater mobility, revealing new ways of considering Christenberry's perennial subjects and offering further insight into the working method of this venerable artist. William Christenberry (born 1936) has been a professor at the Corcoran College of Art and Design, Washington, D.C., since 1968. His work has been the subject of dozens of solo shows and exhibitions over the last 40 years, and can be found in numerous permanent collections, including those of the Smithsonian American Art Museum, Washington, D.C.; The Museum of Modern Art and Whitney Museum of American Art, both in New York; Stedelijk Museum, Amsterdam; San Francisco Museum of Modern Art; and Center for Creative Photography, Tucson. His work was the subject of a major year-long solo exhibition at the Smithsonian American Art Museum in 2006., Although best known for his large-format color photographs made with vintage Kodak Brownie cameras, William Christenberry has also consistently produced work with 35 mm Kodachrome slide film since he took up photography. "William Christenberry: Kodachromes" is the first publication to showcase this stunning and previously unknown body of work, spanning from 1964 to 2007, of which only a small number of images have ever been published or exhibited. As in all of Christenberry's photographs, the subject matter is the rural Deep South: the twisting back roads, open landscapes, rusted signage and ramshackle vernacular architecture found in Hale County, Alabama. Though many of the sites pictured in this rare collection are new, other subjects have grown iconic in Christenberry's oeuvre as he has returned to photograph them over the decades--the red building in the forest, Sprott Church, the Palmist Sign and the Bar-B-Q Inn, among others. The photographs in "William Christenberry: Kodachromes" were made with a camera that allowed for greater mobility, revealing new ways of considering Christenberry's perennial subjects and offering further insight into the working method of this venerable artist. William Christenberry (born 1936) has been a professor at the Corcoran College of Art and Design, Washington, D.C., since 1968. His work has been the subject of dozens of solo shows and exhibitions over the last 40 years, and can be found in numerous permanent collections, including those of the Smithsonian American Art Museum, Washington, D.C.; The Museum of Modern Art and Whitney Museum of American Art, both in New York; Stedelijk Museum, Amsterdam; San Francisco Museum of Modern Art; and Center for Creative Photography, Tucson. His work was the subject of a major year-long solo exhibition at the Smithsonian American Art Museum in 2006., Although best known for his large-format color photographs made with vintage Kodak Brownie cameras, William Christenberry has also consistently produced work with 35 mm Kodachrome slide film ever since he took up photography. William Christenberry: Kodachromes is the first publication to showcase this stunning and previously unknown body of work, spanning from 1964 to 2007, of which only a small number of images have ever been published or exhibited. As in all of Christenberry's photographs, the subject matter is the rural Deep South: the twisting back roads, open landscapes, rusted signage, and ramshackle vernacular architecture found in Hale County, Alabama. Though many of the sites pictured in this rare collection are new, other subjects grew iconic in Christenberry's oeuvre as he has returned to photograph them for decades-the red building in the forest, Sprott Church, the Palmist Sign, and the Bar-B-Q Inn, among others. However, the photographs in William Christenberry: Kodachromes, made with a camera that allowed for greater mobility, reveal new ways of considering Christenberry's perennial subjects and o!er further insight into the working method of this venerable artist.
LC Classification Number
TR654.C4875 2010
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